When we first began working on this book, the question most often asked
was why? Why do an artistic work, or any kind of work,
on the subject of green eyes? On numerous occasions it was pointed out to
me by the sharp-eyed observer that I do not even have green eyes, or blue
or hazel ones for that matter. And though it is hard to admit, it is true
that I do not have green eyes. But my feeling has always been that an artist
does not need to possess an aspect of beauty in order to appreciate and
capture it. In fact, quite the opposite may be true. Painters are not their
models, architects are not their buildings, gardeners are not their gardens,
and poets are not (usually) their poems. And with this in mind I approached
the subject. And it is indeed quite a subject. It is powerful and emotional,
exotic and seductive. Greater still, it is historical. Around our vast globe,
green eyes can exist in almost any ethnic group that has been exposed to
another, very different, culture during some time in its past. One could
in fact say, that in the new world and the old, the true meeting of cultures
can be found in the eyes of their people.
Where the Moors once visited France and Spain, and were visited in turn,
the green eye emerges. Where the English once set very large foot prints
in Africa, green eyes emerge. Where the Chinese, the Mongolian, and the
Russian lands meet, green eyes emerge. In countries such as Brazil, where
they believe that their multiculturalism and mixed blood lines are their
strength, green eyes are far from rare, and exist in the most unimaginable
color combinations of skin and hair and facial features. But the key point
that can be taken from this work is the acknowledgment that whenever there
has been some point in a country or culture's history where they have interacted,
whether commercially, colonially, or competitively, with a group of people
physically unlike themselves, the green gene was sown. Unpredictable, inexplicable,
and mystical. Green eyes are arguably one of the most mysterious and entrancing
physical traits. Their luminescence never escapes notice.
Green eyes can also be quite elusive, particularly in that many times one
can never be completely certain that what we are seeing is actually green.
What appears to be green in the light of day can become gray in the evening
shade, what appears to be hazel at dusk becomes green or even silver at
dawn. "A warm lover's eyes will be green, a cold lover's eyes will
be .... otherwise." That phenomena in and of itself is remarkable.
What other eye color is perceived to redefine itself within minutes, changing
and mutating like the mood rings of the '70's? Blue eyes don't turn brown,
brown eyes don't turn gray. But ask a green-eyed person and they will swear
on their own grave that their eyes do change color.
Perhaps when we see green in a person's eyes, we feel a subliminal connection
with the wild, sensual, carnal side of humans beings, where the blood runs
hot. The color not only infers the possession of this level of sexuality
in the beheld, but also its potential release in the beholder. Green, in
eyes, is so sensual and powerful a color that it could almost be considered
a truly feminine trait. There exists a natural link between it and the innate
sexuality of life and reproduction, often symbolized by feminine references
in literature and lore. Just look at our selection of terminology when describing
the world around us: "Mother Nature", "Mother Earth",
"The Birth of Spring" (a woman), "The Sea ... a Mistress",
etc.
One of the most interesting philosophies built on this perception is known
as the theory of Gaia, a belief that all life on Earth is part of one huge
living organism, known as Gaia. I have often pondered the role of mankind
in the Gaian web of life, and from this photo-essay's perspective, the conclusions
are quite interesting. Our world is composed of the same primary colors
as can be found in the human eye, and clear analogies can be drawn. The
fertile land is brown. The swirling seas are blue. The covering clouds are
white. And yet brown and blue eyes are abundant, and green eyes are rare,
as Life itself is rare, and the mark of Life is Green. One could describe
the entire planet and certain types of green eyes in the same way: "The
great sphere spins slowly in its orbit, following a source of light. Seen
from afar, the observer first sees white, then brown or blue. But its true
uniqueness among all others of its kind are the patches of green dotting
the surface."
Green has so many meanings. In Islamic countries it is considered to be
a holy color. In Cantonese and Mandarin, the word for "Green"
has the same sound as the word for "Prosperity", a pun and usage
dating as far back as the Ming Dynasty. In the United States, green is the
color of money. In jewelry, green is the color of emeralds and of jade,
often a symbol of wealth and power. In all of these examples, green is a
color with strong connotations. And in all eyes, it is a color which can
cause strong emotions.
And so in this work, we attempt to bring to you these strong emotions, stirred
by eyes of emerald and jade, olive and grass, aquamarine and beryl. As green
eyes are celebrated in myth and legend, in song and dance, in poetry and
verse, in romance and in love. Whether cherished or admired, the green eyes
of the world will always be the most beautiful and fascinating of all.